211 로열티 프리 오디오 트랙들 "기준 치수"에 대한

Synthesized soundit's a regular sine with a fast, chaotic pitch modulation9 notes, first note on each octavesurge xt synthesizer.

Som da água escorrendo da torneira, em um dia ensolarado, gravado em pontal do paraná, em fevereiro de 2023, por valéria mendes.

A post-industrial feeling created with a tone generator, layering and reverb.

Deep mad reese bass. Rendered at 170bpm.

This is a bassline of dnb, got 16 bars on 180 bpm or 8 bars on 90 bpm. I did it with a synth using abletondon't forget there is the possibility of you having to amplifier and compress for give more punch. Feel free for use it!. A tip from me to you is cut the bassline in pieces, explore all the locations where you can use for start a song. . . Use short parts of the bassline and use stretch and pitch techniques. Just explore and imagines freaky ways of change small samplers to a big and nice bassline! :d.

Just a sample of what my basses sound like :). This loop is free to use, as long as long as you check me out on soundcloud. You don't have to, but its the most you could do :). Https://soundcloud. Com/paul-stitz.

The interference picked up on the am band of the radio from a wireless mouse.

Korg polsix with a bad chip.

Korg polsix with a bad chip.

Korg polsix with a bad chip.

Korg polsix with a bad chip.

Korg polsix with a bad chip.

Korg polsix with a bad chip.

A modulated high frequency synth created using eq and vol automation un-filtered.

Little melody. It is consisting of two sinewaves. I linked a sequenced ring-modulation to the high-pitched sinewave. If you like this sound you might also like my tunes: http://soundcloud. Com/beverlyhillsboy/ check them out! cheers. :).

Static with pops from dead air on a radio station. Starts with a drone which fades from the background.

A very harsh section of static with periodic interference (source unknown) from the far right-hand side of the fm radio dial, at 106. 7 mhz. Recorded from a digital tuner.

A less harsh, almost tickling of static pops from the right-hand side of the fm radio dial, interspersed with harsh interference (source unknown). Recorded from a digital tuner.

A 4 bars long heavy dubstep wobbler-line! leave a comment if you like it ;).

An ascending heavy wobbler! kicks you out of your socks ^^.

Another wobbler in c with variating triol-rythm, whab-whab-whab-whab-whab-whab whaaab-whaaab-whaaab describes it best :d.

The most heavy tune that i could create! enjoy your ear-gasm :d.

A chainsaw-wobbler in g#, fits perfectly between my c and my f wobbler ;).

Strange radio interference picked up between radio channels at 3am one morning. (i'm reasonably sure this some sort of strange em phenomenon rather than someone else's composition being broadcast; if i am wrong, i will be happy to take it down. ).

Sample was created by looping a "heavy metal" drum pattern with fills from a yamaha pss-480 keyboard. The drums were processed through various pedals and then looped on a boss dd-20 going into a boss me-30 multi-effect.

The name almost says it all. Some synth attuned a certain pitching way, with some amount and rate lfo speed up and down.

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.

Freq mod laugh synth 1 //cc0.

Self modulating a standard doepfer a-110 vco. We are listening to a square wave. I'm modulating with a sinus. I'm wiggling pwm and the degree of self modulation (and attack and decay). Spring reverb and analog delay from stomp box.

My car radio, tuned in between am radio channels so it picks up a combination of internal noises from the car's electrical system and inter-modulated sounds from nearby channels.

My car radio, tuned in between am radio channels so it picks up a combination of internal noises from the car's electrical system and inter-modulated sounds from nearby channels.

A sine wave sweep from 400hz down to 10hz made using audacityoriginally made to test out my cars subwoofer.

A bass that drastically lowers in pitch and automation, i used it to emphasis a "slow time" kind of effect in my current game project.

This is how a band rehearsal sounds through a ring modulator. . . .

Percussice clip processed with delay modulation feedback.

Samples i made with my korg volca fm.

A wobble created with ableton live native instruments and effects.

Radio frequency interference at the 1200 khz mark of the a. M. Band, caused by varying proximity to a laptop computer. Very active and obnoxious high-pitched static and squeals.

Dead air on an a. M. Radio station while lightning in the area "tickles" the frequency to create static peaks. Perhaps similar to the sounds of a radiation or metal detector.

This is a short sample from a noise track i just completed. It sounds a lot like someone screaming/roaring into a microphone, but it's actually a roland juno-6 played through various fx pedals (boss metal zone, boss xtortion, boss me-30 on ring mod setting, danelectro fish & chips, and a sprinkling of various other fx pedals throughout the recording). Recorded direct to sound card.

Natural modulation - a result of the wood spinning while resonating. Pitched down (recorded at 96khz, converted to 44. 1khz without resampling).

Old computer tape loading, pulse width modulation.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch. The sloth have a potentiometer that is said to "alter frequency a little". . .

Had a short relaxing session with my modular. I wanted to use the "divide by 64" patch and make some generative sounds/music. I added some mixer feedback. This is a patch for 2 voices.

| - description - |. Sine wave with pitch modulation. | - made with - |. 3xosc - fl studio. | - uses - |. For projects or whatever i wanted.

String patch modulated with delay and pitch bent resembling a jet or space vehicle engine revving up.

Makenoise in all its glory qpas x-pan morphagene, erbe-verb,mimeophon,processing dpo sine and square wave outputs. Sequenced by 0-ctrl. Recorded into reaper and rendered at 48khz 32 bit fpwith markers for all you morphagene fans out there. Enjoy the wierdnes!.

. Sliding down through the entire auditory range. The sound that occurse after turning off the phantom power of a condencer microfone.

Slither of an old song i wrote, intended to loop. I'm playing a full bodied larrivee acoustic and slowed my voice down a little bit. Recorded on a $5 microphone, as always. "we've held tears and i've felt loveless. . ".